《不安》高清免费在线观看，本片由罗伯托·罗西里尼执导，演员英格丽·褒曼,雷娜特·曼哈特,马蒂亚斯·维曼出演的其它剧情片，剧情内容主要以deliver,refuses,them为主题讲述的故事，详细介绍：Whenever I watch La Paura, I cant help but draw parallels to Eyes Wide Shut, or perhaps its the other way around. Both films revolve around the theme of adultery, but they explore it in distinctly different ways. I agree with Phillip Frenchs observation about a Wizard of Oz element in Kubricks final masterpiece. Similar to Dorothy, the characters of Tom and Nicole embark on journeys through fantasies and nightmares. Eventually, Dorothys simple yet comforting mantra of "theres no place like home" is transformed into the adult realization that "theres no sex like marital sex." Kubricks approach is intellectual, never veering away from the realm of ideas to ground the narrative. He toys with the audience by initially presenting an erotic thriller facade but refuses to fulfill those expectations. Kubrick himself was married to his third wife for 40 years until his passing. On the other hand, Rossellini was still wed to Ingrid Bergman during the making of La Paura, despite their highly criticized extramarital relationship. La Paura unfolds as a noirish tale, blending elements of intrigue and a satisfying resolution. The city exudes a noir ambiance, while the countryside represents a realm where innocence and childhood dreams can thrive. The transition between these contrasting worlds is symbolized by a mesmerizing long shot from the front of a moving car, evoking a sense of entering a different reality. In the film, Irene (played by Bergman) narrates a story that unfolds as a flashback, revealing her inner turmoil and guilt over her infidelity. Initially, the guilt is a mere psychological burden, but it soon escalates into blackmail and emotional turmoil. Throughout the narrative, the focus remains on Bergmans emotional journey, with other characters serving as catalysts for her feelings. Rossellini cleverly reveals the plot to the audience before Irene, inviting us to empathize with her overwhelming emotions upon discovering the truth. In La Paura, betrayals are not imaginary but starkly real, nightmares are intentional, and the toxic dynamics within the couple fester in poignant ways. Bergmans character undergoes yet another tumultuous experience on-screen, but this time, Rossellini provides her with a more realistic and grounded resolution compared to his previous works. The film culminates in a bittersweet ending, offering Bergmans character a semblance of a fairy-tale conclusion within the constraints of reality—a safe haven where she can find solace. Ultimately, La Paura juxtaposes the darkness of betrayal and nightmares with the possibility of finding emotional refuge and closure in the comforting embrace of familiar surroundings. As the film draws to a close, the words of the fairy godmother linger, echoing the delicate balance between harsh realities and the hope for a peaceful resolution.